Tuesday, March 31, 2015

Televison Premiere Dates: April



APRIL
Friday April 3
10:30 pm: The Grace Helbig Show (E!)

Sunday, April 5
9:00 pm: A.D. The Bible Continues (NBC)
10:00 pm: Mad Men (AMC)
                 Odyssey (NBC)

Thursday, April 9
10:00 pm: The Comedians (FX)
10:30 pm: Louie (FX)

Friday, April 10
12:01 am: Daredevil (Netflix)
8:30 pm: Whose Line is it Anyway? (CW)
9:00 pm: The Messengers (CW)

Sunday, April 12
9:00 pm: Game of Thrones (HBO)
               Nurse Jackie (Showtime)
10:00 pm: Veep (HBO)
10:30 pm: Silicon Valley (HBO)

Monday, April 13
9:00 pm: Turn (AMC)

Friday, April 17
8:00 pm: Bitten (Syfy)
9:00 pm: Lost Girl (Syfy)

Saturday, April 18
10:00 pm: Orphan Black (BBC America)

Monday, April 20
11:00 pm: Neil Degrasse Tyson's Startalk (Nat Geo)

Sunday, April 26
9:30 pm: Happyish (Showtime)

Wednesday, April 29
8:00 pm: The Casual Vacancy (HBO)
10:00 pm: Ripper Street (BBC America)

Friday, March 27, 2015

Coming to Netflix April 2015



April 1:
And Now… Ladies and Gentlemen…
Bandolero
Barnyard
The Beautician and the Beast
Bob’s Burgers: Season 4
Bound
Buffalo Soldiers
The Crocodile Hunter: Collision Course
Down to Earth
Leprechaun 3
Leprechaun 4: In Space
Leprechaun 6: Back 2 tha Hood
M*A*S*H: Season 6
Suicide Kings
Sunset Strip
Underworld
Whiteboyz
Wrong Turn at Tahoe
April 2:
Life Partners
Sinbad: The Fifth Voyage
April 3:
All Hail King Julien (Season 1)
Derek: Special
Starry Eyes
The Quiet Ones
April 4:
Delta Farce
April 7:
Preservation
Wilfred (Season 4)
April 9:
Crank
Pioneer
April 10:
The Awakening
Broken
Burning Bridges
Confusion Na Wa
Finding Mercy
Finding Mercy 2
Flower Girl
Forgetting June
Knocking on Heaven’s Door
Lagos Cougars
Lies Men Tell
Mad Couple
Mad Couple 2
Matters Arising
October 1
Onye Ozi
Ties That Bind
April 12:
The Identical
April 13:
Video Game High School (Season 3)
April 14:
Goodbye to Language
Kink
April 16:
Hot Fuzz
Baby Daddy (Season 4)
Chris D’Elia: Incorrigible
They Came Together
April 18:
Noah

April 21:
A Girl Walks Home Alone at Night
April 25:
Sons of Anarchy (Season 7)
April 27:
National Treasure

Friday, March 20, 2015

#gleetome

I started watching “Glee” when Kristin Chenoweth and Idina Menzel made their first appearances on the show.  When my dad first explained the concept of “Glee” to me, I said, “That sounds stupid.” But of course I watched it for my two favorite witches.  

          


Now, I have eaten my own words.  I fell in love with the show, the characters, and the music.  

Say what you will about “Glee.”  As an English major, sometimes the story-lines, characterization, and writing make me cringe.  As a teacher and future parent, the way they handled certain topics was inappropriate and made me shake my head. 

But as a fan, the show changed me.

Whether you watched the show or not, whether you liked the show or not, the show was important in the history of television.  For the first time, a primetime TV show combined the drama of high schoolers with music in every episode.  Artists from all genres allowed their music to be covered by a glorified “Kidz Bop” show.  

No one can deny that the talent on the show is out of this world.  Especially since the show was laid on the shoulders of a bunch of unknowns.  Who knew any of them before “Glee”? I sure didn’t (Well, except for the people who were on Broadway).  

No one can deny that this show battled serious and important topics.  They may have made some poor decisions about how to tackle these issues, choosing to joke about them rather than discuss them seriously.  However, they brought attention to so many issues and made a somewhat positive impact on our world (maybe making some people angry in the process).

No one can deny that the the show used music to bring the generations together.  The younger viewers are listening to music that is probably twice their age, while the older viewers are jamming to Katy and Gaga and Bieber.  In a unique way, the music from the past five decades has been brought together by this one band of misfits.  

         

And finally, no one can deny that the future generations will hear about this show and they will say, “That sounds cool!” or “That sounds stupid!” And the one thing everyone can agree on is that the New Directions reminded us all – “Don’t stop believing!”

Tuesday, March 10, 2015

Behind the Curtain with Alli Mauzey

Photo courtesy of Broadway.com
Alli Mauzey was most recently seen as Glinda in Wicked on Broadway. She's also known for her roles in Cry-Baby and Hairspray.  

After finishing her show in Garner, North Carolina,  Alli answered a few fun questions we had about music and her career. 
   
What is your favorite cast album or one that inspired you greatly?
I don't tend to listen to a lot of cast albums often.  As far as contemporary singer/songwriters go, I like Sara Barellies and Ben Folds. I tend to listen to them a lot.

If you could sing a duet with anyone who would it be and why?

So many to choose from but a singer who I greatly admire is Judy Kuhn.  I love the versatility of her voice.  I was first introduced to her through a friend of mine in school who had a copy of the Tony Awards when she performed on the show as both Cosette in Les Miz and in the musical Rags.  I was so impressed with her beautiful soprano in Les Miz and her "meaty" belt in Rags. Both equally stunning. I just think she can sing anything and I was instantly hooked. I was also so impressed with her acting.

What was it like working with so many different actresses in Wicked? How difficult was it to adjust to playing with a different Elphaba?

I've gotten to work with so many fantastic women. Some of which will be my friends for life. I found that as long as the Elphaba and myself were open to what we each brought to the table and that we were both committed to telling the story every night then all was good.

What's the best piece of advice you've ever been given or one that you would give to aspiring actors?
Hard work was always good advice.  I had a teacher that said sometimes someone who might not have things come as natural right away can pass up someone who does.  When things come easy and you get a lot of attention it's easy to rest on your laurels and become lazy while someone behind you is doing the work and continues to grow.  And I think this doesn't just apply to actors but any field.

Saturday, March 7, 2015

Julia Murney: I'm Not Waiting

Julia Murney is most know for her time spent in shows like Wicked, The Wild Party, and Lennon. She was also featured in the Actor's Fund Benefit performances of Hair and Chess. Her album, I'm Not Waiting, is filled with awesome music that covers her career and some of her personal favorites.


Photo courtesy of Dirty Sugar Photography via juliamurney.com

Before taking the stage with Alli Mauzey in Garner, North Carolina, Julia was able to take some time to talk to Martha about her career. 

MH:  What was the first thing that sparked your interest, or passion, in musical theatre?

JM:  Well, my father is an actor - and he would direct sometimes, as well.  And I remember, as a child, he directed a play at Actor's Theatre of Louisville, where we lived when I was a small child.  There was one show I remember it was a comedy and there was a part where there were these bridges. And, at one point, an actor fell of the bridge and came up out of the water and had to spit out water.  My father took me backstage, and I remember him showing me the cup of water and straw that the actor used for the scene.  And it didn't ruin the show for me - I was fascinated.  It was the first time where I was aware that there was more than what you saw.

Later, when I was older, I liked shows - but I wasn't a show kid. I never did shows until I was in high school. When I went to see (and I saw it a few times) the original cast of Dreamgirls on Broadway, it was the first time - for whatever reason - that I was suddenly aware that somebody made that happen.  That there was a director, and the transitions in the show were out of this world, and I never understood that before.  Even though my father had been a director, somehow my brain had not made that connection until that show.

And the first show I ever did, I was in the ensemble of A Chorus of Applause (it was a c, old show), but I loved it.

MH:  What's your favorite cast album to listen too?

JM:  Dreamgirls.  I don't listen to cast albums that much.  However, more recently I LOVE In the Heights.  That's one of the few that's on my iPod.

MH: If you could sing a duet with anyone, who would it be?

JM: That's such a huge question.  Today, I would say Alli Mauzey because I get to sing two duets with her tonight - and that's pretty neat!  

I got to sing with Josh Groban, and that was pretty great.  But he's off the list, because I've already performed with him.

MH: Chess, right?

JM: Yep.

It's a hard question because I'm only able to think of people I have already sung with.  Anyone who would ask me - honestly.  It's such a joy to get to sing with someone new.  I don't have any particular person in mind.  If anyone asked, I'd do it.

MH: Is there a dream role you haven't played yet?

JM:  Yes, one that hasn't been written yet.  In terms of roles that already exist, my time has probably passed for this, but I'd love to play Dot in Sunday in the Park with George.  Also, I'd like to play Mrs. Lovett from Sweeney Todd.

MH:  You played Florence in the Actor's Fund Benefit concert of Chess, with Josh Groban, Adam Pascal, and Sutton Foster. As well, as Broadway Voice veteran Norm Lewis.  What was your experience like with that performance?


JM:  It was fast.  I was actually supposed to play Svetlana (the Russian's wife), played by Sutton Foster.  And someone else entirely was in line to play Florence, but she dropped out just a few weeks before the performance.  So, they called and asked if I would bump up and take the role.  So, I was very overwhelmed.  Those concerts are always very fast and furious, so you have to buckle your seat-belts and just go with it.  

That was what was so incredible about Josh Groban.  He stepped into our world, a world that we were used to, and he just went with it.  And he's so nice and he is fabulous! 

So, it helps when you are surrounded by people who are so talented.  You go, "I want to try to be as good as they are."  Plus, everyone holds each other up.


MH:  What's the best piece of advice you have ever been given? Or a piece of advice you would give to an aspiring actor?

JM:  I would say, the one piece of advice that I remind myself of all the time: in this business, it is good to be reminded that everyone is on their own path.  So, stay in your lane.  It is easy to compare and feel "How come she's working all the time? Or getting all these roles?"  

You have to get out of the mindset of "I want that. And I wish it was me instead of her."  That's their journey that they have to take.  You have to remember that your job in everyone else's journey is to support them.  It's okay to take a minute and be disappointed, and then get over it.  Use that energy to support, because it is better.

Basically, be kind.  You don't know who they are or what they will become, and you might need them one day.  It's like you're hiking a trail.  Say "Hi!" to them as you walk by.  You may get further up the trail and roll your ankle later.  You'll need their help, and they'll say, "You didn't say 'Hi!' to me on the trail."  That's the biggest piece of advice I can give.  


Be sure to follow Julia on Twitter and Instagram.  Be sure to check out her website for updates!

Don't miss the announcement of next season's Broadway Voices guests! Follow GPAC on twitter.

Friday, March 6, 2015

A Wickedly Good Evening with Alli Mauzey and Julia Murney

Broadway Voices series has brought some of the biggest names in Broadway to Garner since it began in 2011, including Stephanie J. Block, Christiane Noll, and Norm Lewis.  This year's season was a spectacular one with guests Elizabeth Southard and Gary Mauer, Capathia Jenkins and last night's final show with Alli Mauzey. We can't wait to see what is in store for next season! 

Alli Mauzey graced the stage at the Garner Performing Arts Center with her extraordinary voice and brought her good friend and fellow Broadway star Julia Murney with her to join in on the fun!  Julia was Alli's first Elphaba when she went on as a standby for Glinda.  The two have palpable chemistry and are incredibly nice and genuine people! 

The night consisted of some old classics, some out of the box songs, and more modern stage hits.  Alli took us on a trip through her childhood in Anaheim, California and led us all the way to present day Garner where her husband, Collin Batten, is from and where his family still lives.  

The night started with "Should I Be Sweet" and included "I'm Home" from Phantom by Maury Yeston, "Somewhere Over the Rainbow,""The Sound of Music," "Sam, You Made the Pants Too Long," "Think of Me" from Phantom of the Opera, "How About a Hand for the Hog," "Popuar," and "Disneyland" in the first half.  After intermission she came back out with "Love is Where You Find It" and the second half included "Somewhere That's Green," an orignial song that Alli wrote with her brother when they had their band 2 AM, "Screw Loose," and "I Could Have Danced All Night."  

Alli's Husband, Collin, came out to sing a beautiful rendition of "Suddenly Seymour" with her.  Julia sang "Ring Them Bells" and Julia and Alli together sang wonderful renditions of "For Good" and "I Will Never Leave You". 

This concert was a joy to be in attendance for and we hope we have to good fortune to see them in concert again sometime! 

Don't miss the announcement of next seson's Broadway Voices guests! Follow GPAC on twitter.

Stay up to date with Alli on twitter and Julia on her website and twitter